The Dancer, the Dead and the Madonna: Part 12 of Rain on a Cloudless Day

Bombed_Out_Church_in_Carpiquet,_near_Caen,_July_12,_1944
Granma’s Madonna scares me. She says it will be ours one day, my sisters and mine; but I don’t want it. I want to want it but I can’t. In my heart I know it has to be my sisters because it can’t ever be mine. There is no explaining the Madonna. No way to understand it but through its history which reaches back further in time than any of us know.

The war brought the Madonna into our lives. Granma nursed hundreds of wounded and dying soldiers in the war. Granma bandaged men as they healed and held their hands as they passed giving what comfort she could. One of her soldiers was a French man. She’d nursed him for months. In gratitude for his life and all the care she had given him he gave her the Madonna, one of two he had found in the rubble of a bombed church.

Granma kept the Madonna with her throughout the war. When the air raid sirens howled she would take the Madonna into the bomb shelters. The Madonna’s hair and robe are shined to a polish with all the hours Granma spent running her hands over the folds of her plaster robe, waiting for the siren that would announce the all clear.

But when I look at the Madonna I don’t see Our Lady, the Queen of Heaven-the Mother Mary. I have been raised to love Our Lady but I don’t see her when I look on Granma’s Madonna. Instead I see the bombs, the wounded, the dying and the dead.

mother mary

Her robe is the yellow of aged plaster with traces of the sacred blue paint she once wore, caught in the folded grooves of her robe. Her gown too is worn of color; its white paint only visible in a few deeply etched places. Once, the rose at her feet was a soft shade of red. I know this because a touch of color sits between the petals. Granma’s Madonna is lined with cracks, broken and repaired, her head repositioned onto its neck, her torso and base re-sculpted with glue and plaster chips. Yet it wasn’t the bombs that smashed her.

My family fought in both the world wars and only lost one man in battle. Yet we lost two women during those wars and both died at home. The first was my Granma’s sister Eva. On hearing of her fiancé’s death at Verdun, France she fell ill and died of a broken heart. The second was my Granma’s sister-in-law, a beautiful American actress who died suddenly of pneumonia during the second war. Her name was Jackie.

Jackie was a movie actress and vaudeville dancer who supported the troops by keeping them entertained. She was healthy and young and beautiful, too filled with life to die. Our family mourned her in the same sitting room where all our dead were mourned. Granma took leave from the Portland Royal Naval Hospital to sit vigil beside her coffin. Flowers filled the sitting room surrounding Jackie’s coffin and the Madonna was placed on a table at Jackie’s head. On the final night before the funeral the room was darkened and the mourners went to bed. (This part is strange to me because the custom of our family is to sit with the lost one until the funeral.) The house was still, everyone was asleep when suddenly… “Smash…”

Granma reached the downstairs sitting room, her brother, Jackie’s grieving husband beside her while all the rest of the family made their way down behind them. Opening the door they saw the Madonna in pieces on the floor, a huge hole in the wall where she had struck it. No one was in the room. No one had flung the statue at the wall. Jackie lay as she had, stilled by death, quiet and cold in her satin lined coffin. So who had smashed the Madonna? No one knows.

No, I do not want Granma’s Madonna. Just to think of it gives me chills. When Granma places it in my sister’s small hands I am filled with an ancient, haunted kind of fear.
fire survival

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